Different types of landscapes have different designs and the lamps used are different. The following is an analysis of some common landscape lighting designs.
Tower Landscape Lighting
Lighting should shape the integrity of the tower. The tower body is usually composed of several basic parts such as base, tower body and tower top, which constitute a harmonious whole. Architects give each part a corresponding meaning when designing. They all have corresponding functions or functions. From an aesthetic point of view, its aesthetic value lies in erecting a landmark for a region. Therefore, the complete lighting performance of various parts of the tower body is very important, and the performance of a certain part or the overall image of a distorted tower will be expressed. The illumination settings of the various parts of the tower body need to consider the viewing requirements. The top part of the tower is usually for long-distance viewing, and the lighting brightness should be appropriately higher; the tower part is often a part with rich details and bearing architectural styles. The lighting method should be selected in a targeted manner to carefully portray the tower body components and carving decoration. Sex lighting techniques will highlight the main part of the tower; the tower base is a close-up part of the lighting performance of the part is to complete the integrity of the tower body image, the lighting they set to take into account people close to When viewing, the brightness, light hue, and light projection direction of the lighting should be based on human visual comfort. As far as the entire tower body is concerned, the illuminance of the illumination light should be gradually increased from the bottom up, which can result in a sense of toweringness and also meet the visual law when people watch the scene.
Overpass Landscape Lighting
Overpasses are often located in the city's traffic arteries and are an important part of the overall effect of urban landscape lighting. Viewing the overpass from a high point of view in the distance is a lane that runs up and down and then spreads out. The image of the lane is mainly represented by the railing along the driveway. Overpasses are mostly hierarchical, multi-lane vertical overlap, and the relationship between the depth of the level of performance and other aspects, in order to truly reflect the charm of the overpass. In the overpass area, green spaces and green areas must be set up to play an important role in the landscape environment in the area of ​​the transfer bridge and should be fully utilized. From the high point of view, you can see the panoramic image of the overpass. There are line outlines on the driveway, light composition and lighting sculptures in the green space, and the bright lines formed by street lamps in the bridge area. These light elements are combined to form an organic overall picture. .
Landscape lighting of ancient architecture
Chinese classical architecture can be described as unique, self-contained, and has its own inherent characteristics in the use of materials, modeling and layout of the plane and space. The main building is centered, and other buildings are developed on both sides of the central axis. The architectural form is basically composed of the base, roof, and body. The roof of Chinese classical architecture is often made into a soft curve, surrounded by flying high and covered with green gray tiles or glass tiles, which is one of the inherent characteristics of Chinese classical architecture itself. Therefore, accurately grasping this feature and highlighting it in the form of lights at night is the key to lighting in classical Chinese architecture. With a criss-crossing arch of wood, the door arch has become a unique form of classical Chinese architecture. The arched oil paintings of the beam pillars increase the beauty of architecture through colorful designs. The use of appropriate lamps to select the appropriate light source is the focus of classical Chinese architectural lighting. Regarding the light processing of the order base Since the layout, form, color, and materials of Chinese classical architecture are all different from modern architecture, the use of lighting, color matching, and lighting fixtures should all highlight the characteristics of ancient architecture and strive to accurately represent its uniqueness. The classical architectural culture and artistic connotation are the starting point. The above is a summary of some types of landscape lighting design. In the specific design, it should be used flexibly. Different landscape lighting should be used according to the specific conditions of the designed object.
Night lighting of buildings
Night lighting of buildings, the most commonly used are flood lighting, contour lighting, internal light transmission and so on. The floodlighting of the building facade is to use the floodlight (floodlight) lamp to directly illuminate the facade of the building at a certain angle of design to reshape the image of the building at night. The effect can not only show the overall appearance of the building, but also can effectively represent the building's shape, three-dimensionality, decorative stone material and material texture, as well as decorative details.
Floodlighting does not simply reproduce the daytime image of a building, but uses the means of light, color, and shadow of the flood lighting to reshape the image of the building at night, which is more moving, pretty, and majestic. Architectural contour lighting uses line light sources (string lights, neon lights, beautiful lamps, light guides, LED light strips, and all-in-one light-emitting fibers) to directly outline the building.
Illuminating the edges of the building with narrow beams of light can also serve to outline the contours.
Internal light transmission is the use of indoor lighting or device in a special location of the light from the inside of the building to transmit light, to create exquisite nightscape lighting effect.
Landscape lighting of ancient architecture
Chinese classical architecture can be described as unique, self-contained, and has its own inherent characteristics in the use of materials, modeling and layout of the plane and space. The main building is centered, and other buildings are developed on both sides of the central axis. The architectural form is basically composed of the base, roof, and body. The roof of Chinese classical architecture is often made into a soft curve, surrounded by flying high and covered with green gray tiles or glass tiles, which is one of the inherent characteristics of Chinese classical architecture itself. Therefore, accurately grasping this feature and highlighting it in the form of lights at night is the key to lighting in classical Chinese architecture. With a criss-crossing arch of wood, the door arch has become a unique form of classical Chinese architecture. The arched oil paintings of the beam pillars increase the beauty of architecture through colorful designs. The use of appropriate lamps to select the appropriate light source is the focus of classical Chinese architectural lighting. Regarding the light processing of the order base Since the layout, form, color, and materials of Chinese classical architecture are all different from modern architecture, the use of lighting, color matching, and lighting fixtures should all highlight the characteristics of ancient architecture and strive to accurately represent its uniqueness. The classical architectural culture and artistic connotation are the starting point. The above is a summary of some types of landscape lighting design. In the specific design, it should be used flexibly. Different landscape lighting should be used according to the specific conditions of the designed object.
Night lighting of the square
The shape and area of ​​the square are neither shaped nor styled. The lighting must be set up to meet the requirements of functional lighting. According to the inherent characteristics of the square, the function of the square should be fully utilized. Square landscape lighting, first of all, the landscape lighting of buildings around the square should be unified with the lighting of other parts of the square. It is necessary to harmonize the landscape lighting of the square and the plaza, and to integrate the inherent culture. Square lighting mainly includes: fountains, square grounds and signs, tree arrays, entrances and exits of underground shopping malls or subways, and ambient lighting surrounding green areas and flower gardens. These are decorated with landscape lights to add people.
Night scenery of the bridge
Modern bridges are mostly modern steel cable-stayed bridges with twin-tower diagonal and single-tower diagonal cables. The cable-stayed bridge features a cable. The lighting of the bridge will be mainly focused on this feature. With different lamps and unique artistic techniques, a huge harp stands above the river and big river. In order to express the overall effect of the bridge's program atmosphere, on both sides of the bridge along the road, an art light fixture can be placed every 4-5 meters to form a glittering pearl necklace. The facade of the main tower floodlights can be divided into three aspects: from the bottom of the cast, the entire tower should be shining clear, white, magnificent and magnificent. This is the top priority of the bridge landscape. In order to make the main tower all illuminated, the perspective effect is good, and platforms should be set under the road. The use of floodlights illuminates the tower base of the upper part of the water from above, so that the lighting effect of the tower is like a giant standing above the river.
Tower Landscape Lighting
Lighting should shape the integrity of the tower. The tower body is usually composed of several basic parts such as base, tower body and tower top, which constitute a harmonious whole. Architects give each part a corresponding meaning when designing. They all have corresponding functions or functions. From an aesthetic point of view, its aesthetic value lies in erecting a landmark for a region. Therefore, the complete lighting performance of various parts of the tower body is very important, and the performance of a certain part or the overall image of a distorted tower will be expressed. The illumination settings of the various parts of the tower body need to consider the viewing requirements. The top part of the tower is usually for long-distance viewing, and the lighting brightness should be appropriately higher; the tower part is often a part with rich details and bearing architectural styles. The lighting method should be selected in a targeted manner to carefully portray the tower body components and carving decoration. Sex lighting techniques will highlight the main part of the tower; the tower base is a close-up part of the lighting performance of the part is to complete the integrity of the tower body image, the lighting they set to take into account people close to When viewing, the brightness, light hue, and light projection direction of the lighting should be based on human visual comfort. As far as the entire tower body is concerned, the illuminance of the illumination light should be gradually increased from the bottom up, which can result in a sense of toweringness and also meet the visual law when people watch the scene.
Overpass Landscape Lighting
Overpasses are often located in the city's traffic arteries and are an important part of the overall effect of urban landscape lighting. Viewing the overpass from a high point of view in the distance is a lane that runs up and down and then spreads out. The image of the lane is mainly represented by the railing along the driveway. Overpasses are mostly hierarchical, multi-lane vertical overlap, and the relationship between the depth of the level of performance and other aspects, in order to truly reflect the charm of the overpass. In the overpass area, green spaces and green areas must be set up to play an important role in the landscape environment in the area of ​​the transfer bridge and should be fully utilized. From the high point of view, you can see the panoramic image of the overpass. There are line outlines on the driveway, light composition and lighting sculptures in the green space, and the bright lines formed by street lamps in the bridge area. These light elements are combined to form an organic overall picture. .
Landscape lighting of ancient architecture
Chinese classical architecture can be described as unique, self-contained, and has its own inherent characteristics in the use of materials, modeling and layout of the plane and space. The main building is centered, and other buildings are developed on both sides of the central axis. The architectural form is basically composed of the base, roof, and body. The roof of Chinese classical architecture is often made into a soft curve, surrounded by flying high and covered with green gray tiles or glass tiles, which is one of the inherent characteristics of Chinese classical architecture itself. Therefore, accurately grasping this feature and highlighting it in the form of lights at night is the key to lighting in classical Chinese architecture. With a criss-crossing arch of wood, the door arch has become a unique form of classical Chinese architecture. The arched oil paintings of the beam pillars increase the beauty of architecture through colorful designs. The use of appropriate lamps to select the appropriate light source is the focus of classical Chinese architectural lighting. Regarding the light processing of the order base Since the layout, form, color, and materials of Chinese classical architecture are all different from modern architecture, the use of lighting, color matching, and lighting fixtures should all highlight the characteristics of ancient architecture and strive to accurately represent its uniqueness. The classical architectural culture and artistic connotation are the starting point. The above is a summary of some types of landscape lighting design. In the specific design, it should be used flexibly. Different landscape lighting should be used according to the specific conditions of the designed object.
Night lighting of buildings
Night lighting of buildings, the most commonly used are flood lighting, contour lighting, internal light transmission and so on. The floodlighting of the building facade is to use the floodlight (floodlight) lamp to directly illuminate the facade of the building at a certain angle of design to reshape the image of the building at night. The effect can not only show the overall appearance of the building, but also can effectively represent the building's shape, three-dimensionality, decorative stone material and material texture, as well as decorative details.
Floodlighting does not simply reproduce the daytime image of a building, but uses the means of light, color, and shadow of the flood lighting to reshape the image of the building at night, which is more moving, pretty, and majestic. Architectural contour lighting uses line light sources (string lights, neon lights, beautiful lamps, light guides, LED light strips, and all-in-one light-emitting fibers) to directly outline the building.
Illuminating the edges of the building with narrow beams of light can also serve to outline the contours.
Internal light transmission is the use of indoor lighting or device in a special location of the light from the inside of the building to transmit light, to create exquisite nightscape lighting effect.
Landscape lighting of ancient architecture
Chinese classical architecture can be described as unique, self-contained, and has its own inherent characteristics in the use of materials, modeling and layout of the plane and space. The main building is centered, and other buildings are developed on both sides of the central axis. The architectural form is basically composed of the base, roof, and body. The roof of Chinese classical architecture is often made into a soft curve, surrounded by flying high and covered with green gray tiles or glass tiles, which is one of the inherent characteristics of Chinese classical architecture itself. Therefore, accurately grasping this feature and highlighting it in the form of lights at night is the key to lighting in classical Chinese architecture. With a criss-crossing arch of wood, the door arch has become a unique form of classical Chinese architecture. The arched oil paintings of the beam pillars increase the beauty of architecture through colorful designs. The use of appropriate lamps to select the appropriate light source is the focus of classical Chinese architectural lighting. Regarding the light processing of the order base Since the layout, form, color, and materials of Chinese classical architecture are all different from modern architecture, the use of lighting, color matching, and lighting fixtures should all highlight the characteristics of ancient architecture and strive to accurately represent its uniqueness. The classical architectural culture and artistic connotation are the starting point. The above is a summary of some types of landscape lighting design. In the specific design, it should be used flexibly. Different landscape lighting should be used according to the specific conditions of the designed object.
Night lighting of the square
The shape and area of ​​the square are neither shaped nor styled. The lighting must be set up to meet the requirements of functional lighting. According to the inherent characteristics of the square, the function of the square should be fully utilized. Square landscape lighting, first of all, the landscape lighting of buildings around the square should be unified with the lighting of other parts of the square. It is necessary to harmonize the landscape lighting of the square and the plaza, and to integrate the inherent culture. Square lighting mainly includes: fountains, square grounds and signs, tree arrays, entrances and exits of underground shopping malls or subways, and ambient lighting surrounding green areas and flower gardens. These are decorated with landscape lights to add people.
Night scenery of the bridge
Modern bridges are mostly modern steel cable-stayed bridges with twin-tower diagonal and single-tower diagonal cables. The cable-stayed bridge features a cable. The lighting of the bridge will be mainly focused on this feature. With different lamps and unique artistic techniques, a huge harp stands above the river and big river. In order to express the overall effect of the bridge's program atmosphere, on both sides of the bridge along the road, an art light fixture can be placed every 4-5 meters to form a glittering pearl necklace. The facade of the main tower floodlights can be divided into three aspects: from the bottom of the cast, the entire tower should be shining clear, white, magnificent and magnificent. This is the top priority of the bridge landscape. In order to make the main tower all illuminated, the perspective effect is good, and platforms should be set under the road. The use of floodlights illuminates the tower base of the upper part of the water from above, so that the lighting effect of the tower is like a giant standing above the river.
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